What business can learn from
2014 music marketing “disruptions”
Since December, 2013 there have been three “disrupts” in
traditional music marketing, changing the way marketing for this industry, and
business in general if it is paying attention, will be done.
On December 12, 2013 Beyonce dropped the CD “Beyonce” on
iTunes. No fanfare, no television promotions, no radio appearances. Not like a
pregnancy as most musical releases are done (see Taylor Swift later in this
article). Just boom, here it is on iTunes.
On August 18, 2014, Taylor Swift announced via the
Internet a new single, released that day, called “Shake It Off.” She also did
something unprecedented in music marketing, releasing the video for the single
the same day. (On July 12, 2014, my Tween Music blog noted Swift announced her
new CD that day, which most in marketing missed. Link here: http://tweenmusic.blogspot.com/2014/07/taylor-swift-announces-her-2014-cdalbum.html).
To that point in time, music marketers let singles gain
airplay, and about a month after release would issue the video to extend the
life of the product. Thanks to Swift, videos will now need to be released the
same day as dropping a single.
At the August 18 Internet announcement, Swift also
announced her new album, “1989,” would be released October 27, 2014, and that
preorders were being taken immediately as Swift announced on August 18.
Swift has used the pregnancy method of promoting “1989.”
She released two singles before the CD was released, but waited until the last
week before “1989”’s release to issue “Out of the Woods” (A song written while
she was in a relationship with One Direction’s Harry Styles. The pair had
broken up by the time of the song release.).
Swift has use the, pardon the pun, 1989 way of marketing “1989.”
Taking to television, radio and press releases. Sadly, instead of zooming to #1
as “Shake It Off” did, “Out of the Woods” debuted at #18, a sad showing for a
musician of Swift’s renowned.
What has blocked Swift in the #1 position most of this
summer has been a song about being overweight and accepting it. Newcomer Meghan
Trainor is a study in business marketing.
On June 2, Trainor released “All About That Bass.” After
its June 2 release, it failed to chart until July 26, where it debuted at #84.
Not bad for an unknown artist. It wasn’t until September 20, 2014 that Trainor
dislodged Swift at the #1 spot, where the song has been for the past six weeks.
This could also be why Swift’s “Out of The Woods,” which
Swift said would not be a single, but instead her second single was “Welcome to
New York,” released days after “Out of the Woods,” did not immediately zoom to
#1.
It appears Trainor has stolen some of Swift’s magic to
her image. If an unknown can dislodge the largest music machine since The
Rolling Stones, maybe Swift is on the traditional downhill road most artists
travel (like Lady Gaga, Justin Bieber, on and on).
Trainor continued to break music marketing habits. On September
9, 2014, she released a four song EP (extended play from the old days of
vinyl). Radio stations jumped on the title track of the EP, “Title” (That was
the EP’s title). Radio also jumped on “Dear Future Husband” as another “single.”
October 15, 2014, Trainor released her second singe after
“All About The Bass.” A song not on the EP, but another “single,” “Lips Are
Movin.” This is unprecedented. She again upended traditional marketing.
While Swift’s “Out of the Woods” charted with it
elaborate Internet and traditional marketing ploys, Trainor’s “Lips…”, released
about the same time as “Woods” or “New York,” failed to make the charts by the
time Swift’s CD was released. Did Trainor not release a video for “Lips” on October
15, a practice Swift standardized about a month earlier?
Online sources report that by October 22, Trainor had
sold more than 3-million units of “Bass.” Another source reported her net worth,
including those from investments (Trainor released two independent CDs in 2011,
“Only 17” and “I’ll Sing With You”), was more than $215-million by the end of September,
2014.
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